The cabin-in-the-woods is part of the folklore of North America and it’s not surprising that there are a lot of videos about them on YouTube. Some are quite conventional second homes that just happen to be built of wood, but at the other extreme are basic log cabins built by the owners using the surrounding forest. This post is a collection of some of those YouTube channels that are worth looking at, and that might be relevant to woodland hutting in Britain.Continue reading “Log cabins on YouTube”
I came across the video “Living Tiny Legally, Part 1” due to a post in the Tiny House Community UK Facebook group. It’s a really interesting insight into how people have been persuading some local authorities in the US to allow Tiny Houses. You do need to mentally translate “zoning” into “planning permission” and “construction codes” into “building regulations” for the UK system of course.
At 19:30 in the video there’s a slightly awkward moment where one of the city managers finds a diplomatic way of saying they wanted to avoid creating trailer parks that would reduce surrounding house prices. This has always been one of the key worries of local authorities in the UK when faced with plotlands or hutting development: how do they know this isn’t going to turn into some form of shanty town? Quirky colonies populated by artists and software engineers are mostly welcome. Traveller sites usually aren’t.
This is the first part of a three part project, but there are already lots more videos on their Tiny House Expedition YouTube channel.
The Carbeth hutting site north of Glasgow is probably the most prominent hutting or plotland site and is often referred to in media coverage, both mainstream and independent. I’ve collected some of the YouTube videos about Carbeth that I’ve come across in this post.
There’s also a small collection of short clips from the hutters themselves from a few years ago:
Holtsfield and Owensfield are two of the chalet fields of the Gower Peninsula in South Wales, originally dating back to the decades before the Second World War that saw similar “hutting” and “plotlands” developments across Britain. The chalets were holiday homes and weekend retreats for “weekenders” from south Wales including the nearby city of Swansea, but over time they have become people’s full time homes. Both chalet fields are adjacent to Bishop’s Wood Nature Reserve which leads down to the coast at Caswell Bay and its beach, and the area has the caravan parks that are often a tell-tale sign of pre-war coastal plotland areas.
In Holtsfield’s case, as you can see from this photo from the early years of the site, the progression was from camping to weekend huts, to a refuge from wartime bombing, and eventually to residential use – and to a much more wooded site as a by-product.
The 14-acre site passed from the ownership of Mr Holt in the 1990s but the new landowner has sought to evict the owners of the 27 chalets to develop the land for much more expensive conventional houses. The Undercurrents.org and The Land Is Ours websites have more about the protests and legal steps the residents took in the late 1990s which has helped they survive there to the present day, although not without some remaining threats to their situation.
Here are two films made around the time of the eviction dispute in the 1990s, first by Undercurrents and then by BBC Countryfile:
The last film is from BBC Wales’ The Slate arts programme:
Last year Holtsfield and Owensfield were in the news after Royal Mail deliveries were suspended due to access problems.
This Google map shows the two chalet fields, with Holtsfield to the northwest of Owensfield. Holtsfield is at the end of a roadway from Mansfield Road, and Owensfield is at the end of Summerland Lane. If you zoom in, the chalets are quite distinctive in their size and layout when compared to the conventional houses nearby.
Old Copse is a 30 acre woodland in Sussex whose management since 2009 has been documented in an excellent blog by Sarah, one of its owners. In 2014 they built this Polish-style log cabin using Scots Pine trunks from the wood itself. I’m going to pick out some of the many interesting details about building the cabin, and link to her cabin posts and videos so you can dig deeper yourself.
Like many woodland owners, they wanted a shelter from bad weather when doing forestry work that would double up as a social space for themselves and visitors. In 2013 they obtained approval from the local council to build a cabin under their forestry permitted development rights. They wanted something sturdy and secure, and settled on a round wood design which is common in North America and Eastern Europe. Although they could find some Scottish and Welsh companies building them in the UK, they couldn’t find anyone nearer to Sussex and hit on the idea of looking for contacts through local Polish clubs, and were quickly put in contact with a group of log cabin builders from Poland itself who had the experience already. By February 2014 the 45 Scots Pine trees were felled and logged, and work had begun on removing the bark.
April 2014 saw the building of the roof itself. They had considered several options, including a green roof with self-seeded plants in soil, wooden shingles or “tiles”, birch poles over a waterproof membrane, and finally a “tin roof” of sheets of dark green corrugated iron. They went with this last option because they felt that it would be more in keeping with the look of a forestry building, especially once weathered, and also the least risky design. This video shows the state of the cabin in April, and it’s location in the wider wood environment:
Later in April 2014, Sarah made two posts about the process of “chinking” the gaps between the logs with little rolls of pine bark fibres to keep the wind out. This seems to have taken a long time, and she does mention some of the alternatives used elsewhere. The first post also has a picture of cast iron wood burning stove they installed and this video shows the process of chinking in more detail:
By May 2014 the stove and chimney were installed and working, and in June 2014 they were sorting out the odds and ends that make a cabin or hut more comfortable, including bits of furniture, shelve, and kitchenware. They held an official opening ceremony for friends and family, which is also shown in this video:
They seem to have got a lot out of the whole process of planning and participating in the build, and Sarah explains how having the log cabin has changed their relationship with the wood:
Already the cabin has given an idea of how managing Old Copse will be easier. BC (Before Cabin) each visit was a matter of arriving, un-packing, working like billyo, and then packing up and leaving – in a hurry if it’s started to pour down Either that, or having to stand under a dismal tarpaulin waiting for the rain to stop.
We appreciate the difference in pace now – we are visiting more, staying longer, getting a lot more essential work done, but also enjoying ‘cabin life’ – taking time to sit out on the deck with a sun downer, while listening to and seeing wild-life in the wood and on the pond.
The team of Polish log cabin builders are now set up to do more builds in the UK, and have a comprehensive website at www.sussexlogcabins.com.
You may know Jonathan Meades for his quirky and often brutally frank documentaries about architecture, and in the first of his 1990 series “Abroad in Britain” he visits a then-surviving plotland community in Bewdley on the river Severn in the West Midlands. Early in the programme is this striking aerial scene showing the huts, cabins, and chalets along the riverbank and going back into the countryside, accompanied by Howard Davidson’s sweeping music:
Meades clearly loves the place, and sees it as part of the wider twentieth century struggle between planners, academic architecture, and commercial developers on one side and ordinary people wanting some rural land to build a weekend retreat on.
Where suburbs were so often filled up with fake versions of rural buildings that just yielded another form of urban uniformity, the huts, shanties, cottages, and chalets of the plotlands are an authentic vernacular architecture.
Central to this is the idea of bodging. That is turning the available components and materials into the thing you need:
The idea of DIY has been traduced by the ubiquity of places such as this. The letters DIY nowadays constitute a sort of lie. You do it certainly, but you don’t really do it yourself. You may perform the physical act of hammering … but all you actually do is assemble a kit of parts, which obviates the necessity of bodging, and it obviates too the necessity of thinking. Kits are agents of uniformity. The true bodging tradition depends on having the nouse to realise that everything under the sun is mutable. That every object is fit for transformation from its original purpose. So every railway carriage is a potential luxury shack.
Meades conducts the whole programme dressed in his trademark dark business suit, and where required by sunshine, dark glasses. Here he is rowing down the river Severn in this outfit. To be fair, he does have a pair of black wellies that he sports in the intro and where necessary when trudging across fields to examine abandoned huts.
The programme has lots more of images of the buildings themselves:
Looking today on the Google Maps aerial images and Streetview, it does appear as if many of the huts and chalets are still there, near the Northwood Halt station on the Severn Valley railway line.