Port Mulgrave was a small harbour serving ironstone mines in North Yorkshire. Once the railways reached the mines, exporting the ironstone by sea was no longer necessary and the harbour was abandoned after the First World War. Since then it has been used by local people’s small fishing boats which are dragged ashore on the beach well above the high water mark. There are a couple of dozen fishing huts used for storage and overnight stays, and until recently as a main residence. The huts are self-built improvised structures, mostly made from driftwood and reclaimed materials. Not as substantial as the similar site at Braystones in Cumbria. The old mine and harbour features are gradually being eroded by the North Sea storms and access has recently become much more difficult after the metal staircase down from the Cleveland Way was rendered unusable.
I’ve uploaded some photos from Geograph and then linked to newspaper stories and blogs with more information about the site.
Yorkshire Live story from June 2024, with more photos:
The shanty town few people know about with stunning beach and breathtaking views
The former ironstone exporting port in North Yorkshire has a unique collection of fisherman’s huts down on the shore
Julia Garner’s blog post about Port Mulgrave:
Port Mulgrave beach huts.
What an eclectic mixture of properties back the beach at Port Mulgrave! Check out my previous posts though for access!
Finally a video walk around of the site from East Coast Beachcombing:
One of ways people used to make huts for recreational use was to take a wooden railway wagon or carriage and rework it into a small building. Some of these still survive at hutting sites. Sometimes the same approach was used to make other buildings, and at the Blists Hill Victorian Town museum in Ironbridge is a tramcar that was turned into a Sunday school!
In this video from May 2022, I walk from the busy crossroads into Walden Woods and to the site of Thoreau’s cabin, where he lived for 2 years, 2 months, and 2 days from July 1845. I add a stone brought from Century Wood to the cairn by the cabin site. I then look at the wildlife and views of the pond and the forest.
I went to the cinema yesterday for the first time since 2019, to see “Land”, starring and directed by Robin Wright, in which her character, Edee, moves to a remote cabin in Wyoming following a tragedy in her former life. I think a lot of the reviewers have missed the point and in this post I dig deeper to explain how it worked for me, and how that’s based on the whole idea of living in a cabin in the wilderness.
I hadn’t planned to see the film but I was in Manchester for the first time this year and I had enough spare for its 90 minutes. I went through Victoria Station on my eventual way to the Vue cinema at the Printworks. The flowers and other tributes from the recent anniversary of the Manchester Arena bombing in May 2017 were still there, and I still had that grief at the back of my mind when I saw the film, in which grief is a major theme.
Memorials to the victims of the Manchester Arena bombing in May 2017
The film is an emotional journey set against the dramatic mountain landscape. The elements of suspense are in trying to understand the characters’ back stories as the clues accumulate. This post contains spoilers about Edee’s backstory. The further you read, the more spoilers. But there are no major plot spoilers here which are not revealed in the film’s own publicity, including the trailer.
The basic premise is that Edee is a lawyer who has suffered some terrible tragedy and leaves her life in Chicago and her concerned sister Emma behind. She presumably sells up most of her belongings, packs up what she needs in a rented car and trailer, and drives to the northwest of Wyoming, on the edge of the Shoshone National Forest which is adjacent to Yellowstone National Park. The movie itself was filmed in 29 days in Alberta, Canada, at an altitude of 8000ft, and it really shows.
Here she buys a large area of land: enough to be on a mountainside and own everything in the foreground of your view. To be unbothered by trespassers. That is what Edee wants as she is seeking to get away from people. She even arranges with the estate agent to have the rental car taken away when she arrives.
Her property has a log cabin on that mountainside with the majestic view, in which an old man lived and left all the tools needed for survival, including a rifle which she shies away from. The cabin used was built on site specially for the film.
We start to see flashbacks to Edee’s former life with her husband and little boy. We assume they’ve died and this is why she has withdrawn from society. She also imagines them there with her, enjoying the forests and river and feeling at home and happy there, as she struggles with it all.
She has brought supplies for the winter, but she finds her life at the cabin very difficult. For example, she is dependent on firewood for heating, but flounders as she tries using a saw and an axe to turn a small tree trunk into usable logs. She tries using a book about hunting and fishing to supplement her supplies, with mixed results. Even the rather grim and derelict outdoor toilet is daunting.
The setbacks accumulate as predators and winter draw in, but she is eventually helped by a hunter who lives in a nearby town: Miguel, played by Demián Bichir, with a rich and hard to place accent that’s somewhere between his native Mexico, French Canadian, and Native American. They agree he will teach Edee to trap and hunt, and then he will leave her alone.
Miguel teaches Edee how to hunt
You could make another film using those elements. Probably one with Reese Witherspoon earlier in her career: helpless city woman flees to a cabin in the woods, flounders around with axes and fishing rods, but is helped, befriended and then loved by a taciturn local man, who himself learns how to open up his feelings. I wonder if these thoughts were lurking in the minds of some unimpressed reviewers?
With Miguel’s help she does indeed learn to live on the land she has chosen. She becomes confident and competent, and can finally lead the isolated and self-reliant life she came to the wilderness to experience. This next clip summarises where she’s got to, and how she sees it. Edee says: “I want to notice more. Notice everything around me more. Know more about here. Be able to survive here and appreciate it.” Miguel responds that she can indeed survive there alone now.
Edee and Miguel
This is not a romantic comedy though, and their relationship progresses no further than deep but arm’s length respect and affection, and intermittent meetings. Eventually she is able to move forward, and make contact again with her sister Emma.
The film has 69% on Rotten Tomatoes, with generally favourable reviews but some negative and lukewarm responses. Some of the reviews have accused the film of being predictable, which has some merit. But their case isn’t helped by the apparent universal missing of the point.
Here we get to a major spoiler. For me, the key image of the film is a drawing by Edee’s son Drew. It’s shown in passing in the trailer, and you can see it here. It’s revealed when Edee gives it to Miguel. I’m guessing it’s the most precious thing she has.
“Where I want to live”
Drew’s drawing shows her dead husband and son fishing in a lake, beside a cabin in a forest, as Edee looks on smiling. The title is “Where I want to live”. I don’t mind admitting that I filled up at this point, alone in a completely empty COVID-compliant cinema. Edee has clearly been trying to live the life her son wanted, based on time spent with his father in the wilderness. An environment that she did not understand or feel comfortable in. She wants to experience that life to better understand her dead son. That’s why what eventually brings her peace and the ability to move on is to “be able to survive here and appreciate it”.
There is also a theme of kindness and redemption, especially due to Miguel’s own back story of grief, and the old idea of withdrawing from society to work through your problems yourself: Miguel even refers to her as his “hermit friend” at one point. Many of us have experienced first hand the healing power of time in nature, both before and during the pandemic.
The final spoiler is the nature of her husband and son’s death.
They were killed in a mass shooting, which explains Edee’s initial reluctance to pick up the previous owner’s rifle despite living in bear country. Perhaps that also explains my deeper emotional connection to Edee’s journey, coming straight to the cinema from those memorials to the mass killing at the Manchester Arena.
The film is in British cinemas now and will no doubt make it to streaming services here in due course. The landscape has a role of its own in the movie, but it’s not shown in sweeping, immersive shots which demand a viewing on the big screen. I’m glad I did see it in a cinema though.
Finally, Robin Wright has given this revealing interview about the production and themes, which goes beyond some of the usual chat show interviews she’s had to do in promoting it.
I spent two nights of the Easter weekend at our off grid log cabin at Century Wood. I’ve made this video about staying there, and I also talk through the basic 12V electric system, the kitchen sink and drain, and how I use the wood stove.
Last week I read Michael Finkel’s book about Christopher Thomas Knight, the “North Pond Hermit”, who lived alone in the woods of Maine for 27 years from 1986 with only two incidents of human contact. I wasn’t so much interested in Knight’s way of life, but rather the description of the community of cabin owners that he stole food and basic supplies from.
I’ve found it very difficult to find photos that I can use of Knight or his ramshackle encampment of tents and tarpaulins hidden amongst a cluster of huge boulders in the woods. However, this short video from a news report shows the state game warden and the state trooper who caught and then arrested Knight, and his encampment.
Anyway, with that out of the way, what was the area like? This Google aerial photo shows:
Most of the cabins targeted were around North Pond, with some also by Little North Pond. Knight’s camp was to the west of Little North Pond, and in fact only three minutes walk from the nearest cabin. Knight lived there for the whole of his decades in the woods, within earshot of his neighbours voices at times.
He only ventured out to steal from unoccupied cabins, eventually becoming an expert burglar, able to get in and out without leaving obvious signs. He chose midweek nights, ideally during rainstorms, to cover his tracks and avoid accidental contact with cabin owners. But people gradually became certain that the food packets, propane bottles, and batteries that they were certain they’d brought were in fact stolen and not just forgotten. This led to a huge amount of nervousness and fear, and for many people spoilt the joy of owning a weekend cabin by the lake.
He also regularly stole from Pine Tree Camp, which provides outdoor education and experiences to people with disabilities, and that’s where he was eventually caught, after a silent alarm set of Sgt Terry Hughes, a Maine state game warden, woke him up at home in the middle of the night. Reading Finkel’s description it sounded very like Broomlee that I went to myself as a child.
Finally, this documentary video has interviews with several cabin owners, showing their cabins, and giving a sense of what the community there is like: a mix of locals and regular weekenders who know each other as neighbours.
I’ve always loved Lego and this time of year is a great time to build things together. We have the 5766 Log Cabin set from 2010, and have been building the three different huts it has instructions for. I’ve also rebuilt it as Thoreau’s cabin in the woods by Walden Pond. As you might expect, I photographed the whole lot.
You can see the three official designs here, as Lego’s own description says: “Escape to the LEGO countryside in this 3-in-1 Log Cabin! Packed with great details, including an open fire with rotisserie, wooden logs, tree and opening doors and windows, this log cabin is an ideal wilderness getaway. Minifigure included and ready for backwoods adventure, with backpack, paddle and canoe. Rebuild into a country retreat or a river hut.”
Next is the Log Cabin itself in more detail, with lift-off roof, canoe, and joints of venison roasting above an open fire!
The second design is the Riverside Retreat, and is hinged at the side so you can open it up and see inside.
The third design is the River Hut, with a A-frame design and a bridge over a stream. Again this has a lift-off roof.
Finally, my Thoreau cabin built entirely from pieces in the set. It has a lift-off roof again, and I reused the tree design from the Log Cabin instructions. The last picture is the base layout to get you started if you want to build it yourself.
Even though the Log Cabin set is discontinued, Lego still have a page about it with PDFs of the instructions to build the three official designs. If you have a good Lego collection already, you may be able to put it together without the set – especially if you have lots of sloping roof pieces. Second hand sets can be found on eBay and here are links to Amazon for some similar sets and the Log Cabin itself – I get a percentage of Amazon sales, which helps pay for the website 🙂
The cabin-in-the-woods is part of the folklore of North America and it’s not surprising that there are a lot of videos about them on YouTube. Some are quite conventional second homes that just happen to be built of wood, but at the other extreme are basic log cabins built by the owners using the surrounding forest. This post is a collection of some of those YouTube channels that are worth looking at, and that might be relevant to woodland hutting in Britain.
“Henry builds a cabin” shows a bear called Henry building a cabin in the woods near a lake, just like the house that Henry David Thoreau built by Walden Pond in 1845. We meet the bear’s friends (Bronson) Alcott, (Ralph Waldo) Emerson, and Miss Lydia (Emerson), and Henry explains to each of them how his cabin isn’t too small because he has the woods to enjoy too. This lovely book has become a family favourite that we now read together in our own cabin 🙂
Once upon a time, people across Britain had the freedom to build a weekend hut or a cabin-in-the-woods on land they rented or bought for a few pounds. All that changed in 1948 with the Town and Country Planning Acts. In Scotland, there is a growing movement to get some of that freedom back. How can we do the same in England and Wales? I think the first step is to start with cabins-in-the-woods and “Woodland Hutting”.
“Woodland Hutting” involves a hut or cabin-in-the-woods which satisfies the following conditions:
It is built within plantation woodland or in accordance with a management plan which protects an Ancient Woodland site.
It is not visible from outside the wood, or if in new woodland, it will not be visible when the wood matures.
It is largely built of renewable materials, especially timber.
It has no formal foundations and can be removed leaving little or no trace.
It has an internal floor area of about 30m2 or less.
It is owned and primarily occupied by the same individual or family, whose primary residence is elsewhere.
These conditions are designed to address concerns about ecological damage and impact on the local environment and neighbours.
